process

From CAD to cue-to-cue.

A rehearsed handoff. Five disciplined phases between brief and broadcast — designed so nothing breaks on show day.

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METHODOLOGY

Designed twice. Built once. Rehearsed every time.

The discipline that lets us promise zero margin for error is unglamorous: we write things down, we draw things up, and we walk through them before they cost anything to fix. The list below is how we work — every show, every time.

01

Discover

We sit in the room with you.

Before a single rigging point is drawn we capture the brief — vision, scope, constraints. Who is the audience, what is the moment, what is the budget envelope, what cannot break.

Stakeholder kickoff
Site walk & survey
Constraint mapping
Initial brief sign-off
02

Design

The whole show on paper before it lives in steel.

CAD layouts, lighting plots, audio modeling, signal flow. We design through the constraints we found in discovery — and we design twice before we build once.

CAD floorplans & elevations
Lighting plots & magic sheets
Audio prediction & coverage modeling
Signal flow diagrams
03

Build

Prep bay walkthrough.

Every patch list, every rack, every fixture is staged in the prep bay before it goes to site. Crews touch the kit before show day. Spares are surveyed. Pack lists are checked twice.

Pre-rigging & pre-patching
QA & spare inventory
Crew dry-run
Load list & truck plan
04

Execute

On-site crew. Dedicated tech lead. Single-point ownership.

Cue-to-cue. Show calls. Tech rehearsal. Live. Our tech lead is your single point of ownership for the entire production — from load-in through the last cue.

Load-in & focus
Tech & dress rehearsals
Show call & mix
Live broadcast & capture
05

Strike

Out clean. Debrief shared.

Inventory back to base. Damages logged. Spare consumed reported. Debrief notes shared with you — what worked, what we will refine, what to add to the next brief.

Strike & out
Inventory reconciliation
Damage & spare report
Production debrief